Book titles are tricky things. Editors and publishers want to sell books; grab the potential buyer’s attention. Authors and readers prefer a title that accurately reflects the content of the book. Perhaps, I am in danger of over-generalization, but this strikes me as the usual state of affairs. Why do I bring this up? I have once again encountered a book whose title is a less than perfect description of the content of the book (see here for another example).
Brian Anderson’s South Park Conservatives is less an exploration of the conservatism of fans of the popular Comedy Central show than a look at the ways in which an ossified and politically correct elite has turned off large segments of the population. Given the media’s tendency to call anyone who isn’t fully comfortable with the left’s entire (multicultural, politically correct, secular, and largely socialist) program a conservative, I guess it isn’t surprising that we can have “South Park Conservatives.” But for those looking for a deeper analysis of how this anti-liberalism equals conservatism, or how young people today are conservative in different ways than previous generations, Anderson raises more questions than answers.
No, what Anderson really explores is the changing media and political landscape that has developed as modern liberalism has hardened into a shallow, stuffy, and easily offended caricature of itself. The mainstream media, having been captured by this ossified liberalism, has seen its power and influence wan as alternatives have sprung up and grabbed market share. Those swarming to these alternative mediums, however, are hard to coral into any intellectually coherent box, hence the struggle with “South Park Conservatism.”