Welcome to Night Vale by Joseph Fink and Jeffrey Cranor

Welcome to Night Vale by Joseph Fink and Jeffrey Cranor is a quirky and odd tale of two women and two mysteries in Night Vale – a small town where the weird is normal. The book is based on the podcast by the authors that chronicles the strange events that occur in the town.

I am more of a grounded-in-realism reader and this book is not that. It has shape-shifting characters, alien sightings, and other odd occurrences. Although this is not my type of book, it does keep the reader’s attention.

The main characters Jackie Fierro (a pawn shop owner who is given a piece of paper with the only words “KING CITY” on it) and Diane Crayton (her son is a shape-shifter who is increasingly interested in knowing more about his absent father) try to figure out the weirder things going on in the town.

Two mysteries abound: who is a mysterious man who keeps handing out “KING CITY” notes and why does Diane’s ex keep popping up in town. In Jackie and Diane’s quest to find information, they escape with their lives as they visit the local library (local librarians are monsters).

Expect the unexpected and hang on for the weirdest ride of a tale.

The Wars of the Roosevelts by William J. Mann

William J. Mann has recently wrote a masterpiece on one of America’s most powerful political families in the first half of the Twentieth Century – the Roosevelts. The Wars of the Roosevelts: The Ruthless Rise of America’s Greatest Political Family  is a deep look at Presidents Theodore and Franklin Roosevelt, their spouses, siblings, and children.

Here is a good summary from the publisher:

The award-winning author presents a provocative, thoroughly modern revisionist biographical history of one of America’s greatest and most influential families—the Roosevelts—exposing heretofore unknown family secrets and detailing complex family rivalries with his signature cinematic flair.

Drawing on previously hidden historical documents and interviews with the long-silent “illegitimate” branch of the family, William J. Mann paints an elegant, meticulously researched, and groundbreaking group portrait of this legendary family. Mann argues that the Roosevelts’ rise to power and prestige was actually driven by a series of intense personal contest that at times devolved into blood sport. His compelling and eye-opening masterwork is the story of a family at war with itself, of social Darwinism at its most ruthless—in which the strong devoured the weak and repudiated the inconvenient.

Mann focuses on Eleanor Roosevelt, who, he argues, experienced this brutality firsthand, witnessing her Uncle Theodore cruelly destroy her father, Elliott—his brother and bitter rival—for political expediency. Mann presents a fascinating alternate picture of Eleanor, contending that this “worshipful niece” in fact bore a grudge against TR for the rest of her life, and dares to tell the truth about her intimate relationships without obfuscations, explanations, or labels.

Mann also brings into focus Eleanor’s cousins, TR’s children, whose stories propelled the family rivalry but have never before been fully chronicled, as well as her illegitimate half-brother, Elliott Roosevelt Mann, who inherited his family’s ambition and skill without their name and privilege. Growing up in poverty just miles from his wealthy relatives, Elliott Mann embodied the American Dream, rising to middle-class prosperity and enjoying one of the very few happy, long-term marriages in the Roosevelt saga. For the first time, The Wars of the Roosevelts also includes the stories of Elliott’s daughter and grandchildren, and never-before-seen photographs from their archives.

Mann does a superb and thorough job of covering Theodore, his children, Franklin, and Eleanor. He also provides much detail into Theodore’s brother Elliot. However, he does not delve as much into Theodore’s second wife Edith or Franklin and Eleanor’s children. I am curious to know why – was there not as much information or did Mann have to draw a line somewhere because the book would be two volumes?

In any case, Mann shows the cut-throat nature of the family as each person (Theodore, Franklin, and Eleanor) rose in political power. I was stunned to learn how cruel Theodore and his siblings were when dealing with their brother. Elliot clearly needed help, but neither Theodore nor his siblings were willing to help. They were more concerned about protecting the family name. Mann provides numerous examples of how the family poorly treated the other “black sheep” of the family, as Elliot was considered.

Just as shocking was how Franklin and Eleanor ignored their children and focused their energies on Franklin’s political career. Neither spent an inordinate amount of time with their children. Mann lays it all out for the reader to absorb and analyze.

Mann shines a well-deserving light on Elliot’s illegitimate son Elliot. Although the son was abandoned by Theodore and the rest of the family, Elliot prospered out of poverty.  His life is a true inspiration and a great example of American prosperity from hard work.

It seems that Mann is a little lighter in his criticism of Franklin and Eleanor than of Theodore. It is not blatant, but more nuanced. For example, he does not seem to focus on Franklin and Eleanor’s shortcomings as much as he does on Theodore’s.

Although it is a thick volume at 530 pages, Mann’s writing is excellent and the book is a quick read. Great work on the Roosevelts.

The Great and the Good by Michel Deon

The Great and the Good by Michel Deon is an intriguing and perplexing book. Originally published in France in 1996, it was recently translated into English.

A bit about the book:

The Great and the Good is set mostly in the 1950’s. The main character is Arthur, the son of a poor French widow who has huge ambitions for her soon. She wants him to mingle with the Great and the Good, and she wants him to make money. So she encourages him to apply for a Fulbright scholarship to go the U.S. to study and learn about finance – which he does. One of his college lecturers introduces him to Eisenhower’s financial adviser, giving him the opportunities his mother craved for him. He goes on to become a successful stockbroker, returning to his native Paris.

The book is intriguing because it almost feels like a classic. A classic in the sense that it captures the time period perfectly – 1950’s America as an industrial and commercial giant. The character development and scene descriptions are superb – I particularly liked the New York City descriptions.

In contrast, it is perplexing due to the structure of the book. It is a bit tedious at times. Tedious in the organization – paragraphs go on for several pages and the dialogue is a bit hard to follow in certain parts.

Despite the above flaw, it is a wonderful story of a young man coming into his own and how his relationships shape who he becomes.

PhDeath: The Puzzler Murders by James Carse

PhDeath: The Puzzler Murders by James Carse is a murder mystery/thriller that is fast-paced and hard to figure out.

From the publisher:

PhDeath is a fast-paced thriller set in a major university in a major city on a square. The faculty finds itself in deadly intellectual combat with the anonymous Puzzler. Along with teams of US Military Intelligence and the city’s top detective and aided by the Puzzle Master of The New York Times, their collective brains are no match for the Puzzler’s perverse talents.

According to Carse, the book is directed toward four types of people – readers of the thriller genre or attracted to a novel of ideas, puzzle aficionados, and those concerned about the erosion of the university’s commitment to universal education. After reading the book, I can see all of those people enjoying this book.

The puzzles are intriguing (although I have to admit I skipped a few of them to get to the solution) and the way the puzzles are solved by the committee created to solve them is fascinating. Carse knows how to create a puzzle and how to explain how to solve it.

Carse also uses his insider knowledge of higher education (emeritus professor at New York University) in developing the characters and plot. The murder victims are composites of people who are very realistic. However, one of them apparently was based on a real person – he leaves it up to the reader to determine who that is.

An engaging and easy read.

Everything is Its Own Reward by Paul Madonna

Everything is Its Own Reward: An All Over Coffee Collection by Paul Madonna was another random library pick up.  I knew nothing about the author/artist or the book until I saw it at the library at started “reading” it.  I was enthralled by this interesting blend of drawing and text from the start and finished it that day and promptly handed it over to my artist wife for her turn.  I love the art and enjoyed the quirky and melancholy reflection that goes with it.

For those, like me, not in the know:

Cover of "All Over Coffee"
Cover of All Over Coffee

All Over Coffee was created in September 2003. That November the strip was picked up by the San Francisco Chronicle and in February 2004 began running 4 days a week; 3 days in the daily Datebook section and Sundays in the Pink section. After a year and a half and 200 daily strips, the strips grew more complex, so went to Sundays only. All Over Coffee still runs in the large format one day a week in the Sunday Pink Section of the Chronicle, on SFGate.com, and The Rumpus. In 2007, after just over 300 published strips, City Lights Books published the first collection in a full color hardcover edition titled All Over Coffee, and in 2010 published the second collection, Everything is its own reward.

I have to agree with the blurb at Amazon:

Entertaining and moving, gorgeous to look at, Madonna’s work remains unique and unclassifiable.

The drawings are a wonderful mix of architecture, landscape and still life; melancholy, peaceful and meditative.  The stories and snippets are both philosophical and whimsical, both optimistic and stoic; with a touch of surreal perhaps.  It is just a perfect combination of art and literature, of text and illustration, to sit down with and get lost in; in a comfy chair or out in the city at a coffee shop.  It takes you to and makes you want to visit cities across the globe but also makes them seem fictional in some sense; a setting of the author’s creation rather than real places to visit and live.

Publishers Weekly:

Madonna captures snapshots in time as he explores the relationship between image and text, with a mixture of single- and multi-panel strips all presented vertically. Completely devoid of people but never of life, each panel revolves around a geographical setting, from recognizable landmarks like the Golden Gate Bridge to an anonymous block that’s so gorgeously rendered in Madonna’s precise yet fluid pen-and-ink style, it feels like it could be anywhere and everywhere. The integration of text—from snippets of fiction and autobiography to single sentences stretching across panels—is as deliberate as the pen strokes and ink washes, and as essential to grasping the complete picture. Though there are no conventional narrative arcs, Madonna continually revisits such themes as place and memory as he deconstructs the traditional storytelling elements in this “comic strip without the comic, whose main and only character [is] setting.”

Evan Karp at Litseen:

If you don’t know, the series establishes scene as the main character in images devoid of humans or cars. Often a cityscape of some sort, with lush architecture and mesmerizing details, the frames exude a stillness that is preternatural. In various ways, Madonna then incorporates text into the images—the only place that humans are manifested in this work. A combination of aphorisms, autobiographical stories, flash fiction, and thoughts—including both questions and answers, and even mini manifestos on the creative process—the words in the AOC series weave together a narrative as thrilling and revelatory and endless and humbling as an aimless walk through the city. And to read through each page is to occupy a space left for us to inhabit. Everything Is Its Own Reward is more than a book; it’s a life philosophy articulated by a beautiful body of work.

Laura Miler at Salon:

You don’t have to have lived in or loved San Francisco to fall under the spell of Madonna’s mysterious and largely unpeopled cityscapes. San Francisco isn’t the only place he draws with the miraculously exquisite attention on display here (Paris, Rome and Buenos Ares also appear) but something about the fog off the bay makes it particularly well suited to his dreamy and surprisingly emotional pen-and-ink images.

If you are interested in comics and drawing with a unique twist, or just fascinated by art and literature, I would recommend checking out Paul Madonna and All Over Coffee.  I plan to check out the other volumes and enjoy more of this unique talent.

The Clothing of Books by Jhumpa Lahiri

I stumbled on The Clothing of Books by Jhumpa Lahiri (Goodreads rating: 4 of 5 stars) at the library and read it in one sitting.  A lecture turned book(let), it was nevertheless interesting to read an author’s thoughts on book covers and to ruminate on their role, impact, etc.  It is not something the average reader probably thinks a lot about even as it may play a large role in the books they buy and read.  Book covers have an impact in ways obvious and less so.  There are elements that we consciously look for and those we don’t think about or may not even be aware of.

There are informational elements like reading jackets for basic plot or subject outline, for blurbs and descriptions from authors we may know, to know which book in a series this one might be, etc.  There are also graphical elements that catch our eye; maybe a particular style or artist we like or just the design and feel of a book may speak to us.  Covers send signals about books in ways that we might not pick up on too.  A particular style may signal science fiction or mystery or romance and this signal may or may not comport with the actual words that lie within. We may be drawn to books for reason we can’t really articulate.

Few would deny, however, that covers play an important role in the books we buy and read.  Which is why I imagine they are so problematic for authors.  Having put their heart and soul into the text they must then hand over something so critical in the ultimate success of that text to someone else.  Lahiri describes how frustrating and disheartening she finds this process.  In a related way she discusses the role of classics, or those books allowed to be positioned as such, by inclusion in a publishing series that removes this aspect; such as the Library of America, the Modern Library or Everyman’s Library series.  Apparently in Europe these type of editorial series more often include contemporary authors and aren’t reserved for those deemed “classics.”

I will admit that I am influenced quite a bit by book covers; in ways both graphic and informational (and how the two seem to connect or work together).  But I am also drawn to collections of classics and own quite a few of the above mentioned series.  Interestingly enough, I find these type of series, with their elegance and quality, appealing textually and aesthetically.  And not surprisingly, Lahiri notes that inclusion in these types of series is seen as an award or prize in itself; to be included means the work is worth this sort of attention and quality.

There is a tension involved in the way that books are packaged and sold that can’t really be resolved.  In some ways, we want the text to stand on its own; the words to have the meaning and to be judge on their own.  And yet it is not so easy to separate books from their covers; to disconnect the words from the package.  For many, the cover of a particular edition of a favorite book is part of the memory and experience of that book; the words are irreparably connected to the cover and vice versa.  And it is a basic aspect of marketing that in a world flooded with books all the tools of the trade will be brought to bear in causing readers and buyers to pick a particular book from that flood.  We need covers to differentiate and help curate books for us to prevent us from being overwhelmed with choices.

As the above might indicate, if anything Lahiri could have written much, much more on this fascinating topic.  If you are looking for a deep dive on the topic, this book is probably not for you.  But if you enjoy a well written but brief rumination on the topic from an author then you will enjoy it for what it is methinks.  I did.