Those of us who have enjoyed Olen Steinhauer’s Eastern European crime series continue to be perplexed by their failure to break out into mainstream success. Although the books have been shortlisted for a variety of awards, they seem unable to break free of their genre label and reach the larger audience they deserve.
This week marks the release of the fifth and final book in the series, Victory Square. Appropriately, the book not only brings the series full circle by again featuring the lead character from the first book, but it also brings Steinhauer back to the subject of his first attempts as a novelist.
After getting his MFA and spending a year in Romania on a Fulbright scholarship Steinhauer returned to finish what he hoped would be his first novel. The resulting manuscript – a “sprawling epic” set during the Romanian Revolution of 1989 – revealed enough talent to spark some interest but it clearly needed work. Agents asked: got anything else?
The answer was yes. Inspired by reading Raymond Chandler, and his time in Romania, Steinhauer had decided to write a “straight story” something that didn’t set out to be the “experimental” novel of a recent MFA grad. This non-experimental experiment became The Bridge of Sighs a hardboiled detective story set in an unnamed country in communist occupied post-war Eastern Europe.
As it turned out, Bridge of Sighs was the first in a five book series centered on the homicide division of the People’s Militia in this unnamed country. Each book focuses on a new character and brings us forward a decade. In Bridge of Sighs Emil Brod is a 22-year old rookie investigating his first case, the murder of a popular national songwriter, when he uncovers evidence that a party leader worked for the Gestapo during the war. He ends up marrying the songwriter’s widow and sending his killer, the disgraced party leader, to a labor camp.
Victory Square, the fifth and final book, returns the focus on Emil and brings the series to a close. And it also brings Steinhauer back to the subject of that first manuscript: the revolutionary year of 1989 in a country very much like Romania.
Emil, now homicide chief, is called by the Ministry for State Security to complete the paper work for an apparent heart attack of one of their officers The stubbornly persistent Emil, however, uncovers evidence of foul play and a list of six people all connected to the very first case of his career. Two of the six have recently turned up murdered and the party leader Emil had sent away has disappeared. The other important name on the list? His own.